Tom Goes to the Mayor is an American animated television series created by Tim Heidecker and Eric Wareheim for Cartoon Network's late night programming block, Adult Swim. It premiered on November 14, 2004 and ended on September 25, 2006, with a total of thirty episodes.

Tom Goes to the Mayor is an American animated television series created by Tim Heidecker and Eric Wareheim for Cartoon Network's late night programming block, Adult Swim. It premiered on November 14, 2004 and ended on September 25, 2006, with a total of thirty episodes.

For the first time in Korean history, the mayor of Seoul attempts a third term in office, with his entire campaign team ready to soil their hands.

A struggling hip-hop artist runs for mayor to promote his mix-tape and wins.

Boetie is the type of guy who will do anything to get out of military service. Until his father makes him an offer he can't refuse. Its a story of a rich kid who learns the value of being a man.

The story of the gold-plated statuette that became the film industry's most coveted prize, AND THE OSCAR GOES TO... traces the history of the Academy itself, which began in 1927 when Louis B. Mayer, then head of MGM, led other prominent members of the industry in forming this professional honorary organization. Two years later the Academy began bestowing awards, which were nicknamed "Oscar," and quickly came to represent the pinnacle of cinematic achievement.

It's the mid-1970s, and nine-year-old Julie Albright plays on the boys' basketball team. She wants to perform basketball dribbling for her talent in the school beauty pageant but is teased by girls at school for the thought of it. Julie has to decide if she'll stay true to herself or conform to the norm. While she's at it, she gives an unconventional, yet forward-thinking answer to the interview question, "What do you want to be when you grow up?" See Julie shine in this American Girl movie starring Jolie Ledford.

The first feature documentary directed by Kim Dong-ho, former festival director of the Busan International Film Festival, this film captures the present landscape of theaters and films across Asia through the eyes of a seasoned film professional. Now retired from public service, Kim travels with his camera to document the post-pandemic cinematic ecosystem, visiting theaters and film festivals in Korea, Japan, Taiwan, Indonesia, and beyond, and gathering memories and concerns from filmmakers along the way. Prominent figures like Lee Chang-dong, Park Chan-wook, Bong Joon-ho, Kore-eda Hirokazu, Tsai Ming-Liang, and Garin Nugroho eagerly share their thoughts on the fate of theaters and the future of cinema. What begins as a survey of the current state of theaters evolves into an emotional chronicle and an opportunity to reflect on the essence and sustainability of cinema.